Artists

...at that moment I simply drew the model in front of me and that's how I saw it and enjoyed drawing it. Poetry attributes meanings to colours. I unconsciously use colours and threads. Red and yellow are happy and lively colours that symbolize pleasure and life. The reproduction of the earth is represented in brown, yet black lines yield shape and movement to reach the climax. Everything harmonizes together.
Miroslav, both in the two-dimensional and three-dimensional works, proposes a way of diseccionar the notion of the reality by means of components that send us to the spatial thing, the temporary thing, the daily thing. But it is in the painting where it seems to find its real desires. Each of his paintings goes through a process of searching from his experience for the outside of society, because the important thing in his works has always been his subject matter, regardless of the aesthetic-formal work. The pictorial work contributes a taste for the ancient and distant thing, a pleasure for the disorder in the imagination.
Figuration was my style for more than 40 years exhibiting my work. Now I have needed to create, feel, and squeeze, breaking with everything established to give birth to everything I need to express. [...] I have learned to unlearn what I have learned... This is the essence of expressive creation. I only keep the knowledge that experience gives me, rejecting pre-established forms and concepts. Absolute freedom. PURE AND DIRECT creation and communication of the soul... Intrinsic essence of the artist and her creation.
From 1990 to 2000 I explored working with watercolour and oil painting. Figurative works, landscapes and still lifes. Then I discovered acrylic, which I use to this day, but abstraction has been imposed on me since 2018. By using acrylic and inks on my canvases, their fusion creates amazing graphics. I therefore invite visitors during my exhibitions to free their imagination by discovering my paintings and to share their feelings. It is a moment of sharing that is essential. I have been painting for years, it is fundamental for me, I am guided by my emotions... As an artist I hope to embody a certain idea of ​​freedom of expression, and I wish to evolve and always share reflections with the public.
You hardly know who I am; I write, I paint since I was a child, today I do it in the silence of the mountain, surrounded by animals. I know, they drink words of love; I dispense the nectar. That a man cries or is sensitive provokes rejection, it is annoying. I am one of them; damned adrenaline. In us, gentleness is mannered and corny, almost despicable; to be strong is a bastion of the chosen, a vital skill to which few of us have access to. In love with sport and vegan, I have published several books, and I am a crazy painter, self-taught who loves the forest, and the colour aquamarine blue.
"My work reflects the things I observe and contemplate in my days, subtle worlds and immense worlds within nature, such as the movements of water, the shapes of the mountains, and the transitory and impermanent cloud forms".
…En mi pintura el pasado influye y allí encuentra su acomodo: Las costuras de mi madre, las amarras del pescador la corrosión del salitre, las cercas, el bahareque, lo místico religioso, lo mágico caribeño, la simbología indigenista. […] Busco en mis trabajos una reinterpretación de nuestro pasado, intentando que la obra y el objeto convivan en un lenguaje común, que el espectador sienta visual y táctilmente, sensaciones ya vividas…
Victor must save the planimetry of the wall and the evasive maneuver in his canvases and cardboards; to intersect planes, spaces, accumulated stories, verses carved in stone as a result of that perennial dialogue between man and the forces of nature; to rise above any comfortable mimicry on his journey towards the abode of the spirit and deliver a living, malleable work, a way of interpreting any reality, not of reproducing a formal discovery or a way of life... (C. Escala Fernández).
“The landscape in my work is intended to reflect, in random ways, on the interpretation of my surroundings; marked by the various issues of housing and the need for retreat and shelter, and also the increasingly growing realities around the world caused by the urgent search for a decent habitat...”
"In these works, where converge images with distinctive clown characteristics and representational objects such as balls or others, I seek to present a sociopolitical critique, using symbolic elements and encrypted codes to stimulate the viewer's reflection."
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