The landscape – of any kind I imagine or have ever seen - provokes something inexplicable in me. I paint landscapes because I need to look at them calmly; without the rush of seeing them from a car or from a window or in any way that makes them ephemeral: the clouds, with all the shapes they build up in a matter of seconds; the mountains with all their curves, some more sensual than others; the trees (...). In short, all colour schemes, which if we stop to observe them with our eyes half-open, we can turn them into whatever comes to mind without them ceasing to be completely beautiful landscapes.

I believe in artistic practice as a means of knowledge, a path towards the spirit, and a constant search for the magic inherent in the universe. The work is the testimony of an enquiry into everyday life. The various presentations are evocations, searches, contacts with the desire to penetrate the flow of life.

His goal is to express a feeling, an experience with a palette of colors that can also make people laugh and cry, speak without speaking and connect with those minds that are willing to listen with the power of the eyes. Always tremble or overcome before a blank canvas, which invites doubt, emptiness or the feelings of others; the materialization of the immaterial. Gustav comments that it has always been necessary to have an open mind to the different forms of expression of art, to synesthesia and knowledge in general, without losing sight of the new artistic trends that are emerging at every moment (Ambientes magazine, No. 119 / 2019).

Creativity is like another world, the world that you draw on paper or canvas by adding colors that you choose yourself. Sometimes, this world is so secret that no one but you can solve it. […] Art is my reason to live and I always make sure that my creation comes from the heart…

I’m a young artist. My work, and mainly its content, is to paint expression, pain, fear, despair, depression... I want to create an impression and emotion in people. How to understand the psychological state. I put myself in every work and what kind of mental state I am in. Every day I did something to get closer to my dream of being an artist and creating, but it's not really a dream, it's my lifestyle. [...] Because for me, creating work is not about making and selling; it's something more. I want to leave a message for people to know that art, more than creating and selling, has the value of evoking some emotion in them, be it good or bad. The only thing that fulfils me is to actively create. I implemented the artistic vision to give purpose and meaning to art.

A unique combination of Realistic Art form with the world of imaginations! Realistic painting is a key art which dwells in the sea of effectual arts… And I am a true devotee of it! (...) We know every art form has its own importance and comprehension. How if these can be unified and presented?

Victor must save the planimetry of the wall and the evasive maneuver in his canvases and cardboards; to intersect planes, spaces, accumulated stories, verses carved in stone as a result of that perennial dialogue between man and the forces of nature; to rise above any comfortable mimicry on his journey towards the abode of the spirit and deliver a living, malleable work, a way of interpreting any reality, not of reproducing a formal discovery or a way of life... (C. Escala Fernández).

I would call my art "realistic symbolism" because I love to express my emotions and thoughts through real objects, which mean the same thing in many cultures, so that more people on our planet can understand what I want to express with my works. There is a lot to tell about the world we live in and I hope that the world I dream of can exist one day, where we love and respect each other and all living things.

"In these works, where converge images with distinctive clown characteristics and representational objects such as balls or others, I seek to present a sociopolitical critique, using symbolic elements and encrypted codes to stimulate the viewer's reflection."

My favorite subject is human communication with the nature sur-rounding it, and with mythical approach derived from Iranian pain-ting. There has always been a relationship between man and nature, mixed with myths. The relation to the height of the history of humanity, sometimes come from Eden and sometimes it is born of fire.