A través de la composición, sus elementos y cromatismo particular interpreto una percepción del mundo circundante. Aunque a estos agrego componentes diversos menos convencionales con los cuales añado pigmentos y texturas a las piezas que se sobreponen a la suavidad del pincel y marcan mi estilo personal de tupida paleta.

...at that moment I simply drew the model in front of me and that's how I saw it and enjoyed drawing it. Poetry attributes meanings to colours. I unconsciously use colours and threads. Red and yellow are happy and lively colours that symbolize pleasure and life. The reproduction of the earth is represented in brown, yet black lines yield shape and movement to reach the climax. Everything harmonizes together.

To propitiate from the gesture, a free painting that persists in the environment of its creation.  To expand the matter - given that as it dries it has its own vitality - to tame it. To extend the chaos, to improvise; in a precise time, to achieve results worthy of analysis. To remain in the abstract with traces of appearance, approaching recognisable forms. To scrutinise in creation. To add in the tradition of painting as a foundation to raise with its execution and practice a wok of its own, which, with the enjoyment of visual results, persuades about ideas and comments on life. 

I believe in artistic practice as a means of knowledge, a path towards the spirit, and a constant search for the magic inherent in the universe. The work is the testimony of an enquiry into everyday life. The various presentations are evocations, searches, contacts with the desire to penetrate the flow of life.

Nature has a profound influence on me and every time I meet with myself, I am with my own self. My canvas contains the language of acrylic and pastel with which I speak, conveying my thoughts and emotions. The depth of my paintings, with their sober and textured use of colour, lies in this emotionality rather than in the physicality of the visuals. Beauty may indeed be superficial, but the meaning lies elsewhere, more rooted in the heart and mind. When the viewer connects with the painting, he also joins in this conversation and shares its joy.

Creativity is like another world, the world that you draw on paper or canvas by adding colors that you choose yourself. Sometimes, this world is so secret that no one but you can solve it. […] Art is my reason to live and I always make sure that my creation comes from the heart…

Each of my works questions the substantiality of our symbolic identity, seeking to extract new perspectives that remained hidden in its cracks. I’m interested in undermining the illusion of reality and language where they draw limits, barriers, boundaries to the human, imposing ultimate truths.

"In these works, where converge images with distinctive clown characteristics and representational objects such as balls or others, I seek to present a sociopolitical critique, using symbolic elements and encrypted codes to stimulate the viewer's reflection."

How to meet fish if the sea is not near and the shores of any river cannot be seen on the canvases. However, they are all there, lying in wait. A Socratic doubt will help the perceiver to look with all the necessary prejudices to unravel the puns camouflaged by the pigments. He ought to listen to the chorus of voices that inhabit abstract and flat surfaces, spirals, intermingled forms [...] in a single or multiple dimensions, in an infinite space, and a time that expands, to become “instruments of the poetry of the canvas" [...] (C. Escala Fernández).

"In my canvases, a drop, different textures, the stain that configures and represents, the smell of the paint that invites the palette knife, the different traces I leave on the painting blend and interact with each other, starting from the fact that each one is the protagonist of a particular story to be told...