My thoughts, my ideas always symbolize the reality, society, nature emotion and another way it express science fiction travel experience memoir . All of my work express mortality morbidity. The reality of life such as pains love joy happiness , mature creation etc is the mainly formed in to my sculpture. My work’s gave us some messages about the highest education that which does not merely give us information but make our life in harmony with all existence.

In “Antelope Canyon”, there are endless possibilities for artistic compositions. That image is a study of how light sculpts spaces of texture and color into three dimensional layers captured in a two dimensional medium. With his photographs, he wants you to feel what he sees. His passion is to tell visual stories, one frame at a time. More painter than documentarian, the work hopes to showcase an impressionist approach...a type of optical painting. His grouping of images by their common connection to our earth - water, desert, trees and geology, not simply by location - is an expression of his sincere understanding and respect for our world. His artful capture of moments of light reveals an insight into our environment that only the perceptive observer can share (Mark Berndt, photographer, Santa Fe, New Mexico, United States, 2024).

You hardly know who I am; I write, I paint since I was a child, today I do it in the silence of the mountain, surrounded by animals. I know, they drink words of love; I dispense the nectar. That a man cries or is sensitive provokes rejection, it is annoying. I am one of them; damned adrenaline. In us, gentleness is mannered and corny, almost despicable; to be strong is a bastion of the chosen, a vital skill to which few of us have access to. In love with sport and vegan, I have published several books, and I am a crazy painter, self-taught who loves the forest, and the colour aquamarine blue.

Miroslav, both in the two-dimensional and three-dimensional works, proposes a way of diseccionar the notion of the reality by means of components that send us to the spatial thing, the temporary thing, the daily thing. But it is in the painting where it seems to find its real desires. Each of his paintings goes through a process of searching from his experience for the outside of society, because the important thing in his works has always been his subject matter, regardless of the aesthetic-formal work. The pictorial work contributes a taste for the ancient and distant thing, a pleasure for the disorder in the imagination.

From 1990 to 2000 I explored working with watercolour and oil painting. Figurative works, landscapes and still lifes. Then I discovered acrylic, which I use to this day, but abstraction has been imposed on me since 2018. By using acrylic and inks on my canvases, their fusion creates amazing graphics. I therefore invite visitors during my exhibitions to free their imagination by discovering my paintings and to share their feelings. It is a moment of sharing that is essential. I have been painting for years, it is fundamental for me, I am guided by my emotions... As an artist I hope to embody a certain idea of ​​freedom of expression, and I wish to evolve and always share reflections with the public.

"My work reflects the things I observe and contemplate in my days, subtle worlds and immense worlds within nature, such as the movements of water, the shapes of the mountains, and the transitory and impermanent cloud forms".

I’m a young artist. My work, and mainly its content, is to paint expression, pain, fear, despair, depression... I want to create an impression and emotion in people. How to understand the psychological state. I put myself in every work and what kind of mental state I am in. Every day I did something to get closer to my dream of being an artist and creating, but it's not really a dream, it's my lifestyle. [...] Because for me, creating work is not about making and selling; it's something more. I want to leave a message for people to know that art, more than creating and selling, has the value of evoking some emotion in them, be it good or bad. The only thing that fulfils me is to actively create. I implemented the artistic vision to give purpose and meaning to art.

How to meet fish if the sea is not near and the shores of any river cannot be seen on the canvases. However, they are all there, lying in wait. A Socratic doubt will help the perceiver to look with all the necessary prejudices to unravel the puns camouflaged by the pigments. He ought to listen to the chorus of voices that inhabit abstract and flat surfaces, spirals, intermingled forms [...] in a single or multiple dimensions, in an infinite space, and a time that expands, to become “instruments of the poetry of the canvas" [...] (C. Escala Fernández).

“The landscape in my work is intended to reflect, in random ways, on the interpretation of my surroundings; marked by the various issues of housing and the need for retreat and shelter, and also the increasingly growing realities around the world caused by the urgent search for a decent habitat...”

Inspired by his childhood memory of almost idealistic integration of utopian community in which he grew up. After the village demolished, and the community dispersed to another location, the artist began to sketch, paint, and study the remained fragment of houses. He explores the remains of ruined village searching for patterns of partially defined spaces, forms and order. The experience which he gained from the aftermath of once happy community intrigues him to ask what was the invisible force which design and maintain that urban Arcadian physical and mental environment? How is he affected by it?