A través de la composición, sus elementos y cromatismo particular interpreto una percepción del mundo circundante. Aunque a estos agrego componentes diversos menos convencionales con los cuales añado pigmentos y texturas a las piezas que se sobreponen a la suavidad del pincel y marcan mi estilo personal de tupida paleta.

From 1990 to 2000 I explored working with watercolour and oil painting. Figurative works, landscapes and still lifes. Then I discovered acrylic, which I use to this day, but abstraction has been imposed on me since 2018. By using acrylic and inks on my canvases, their fusion creates amazing graphics. I therefore invite visitors during my exhibitions to free their imagination by discovering my paintings and to share their feelings. It is a moment of sharing that is essential. I have been painting for years, it is fundamental for me, I am guided by my emotions... As an artist I hope to embody a certain idea of ​​freedom of expression, and I wish to evolve and always share reflections with the public.

Abstract Surrealism. I’m interested in paradoxically assumed abstraction from the classical techniques of representation. I start from the gestures of automatism, from stains or accidents and – with them – I build on the lines and the tones or values of a reduced palette of colours. I seek to create a surreal image or atmosphere in which the amorphous figures, and their relationship with the background, give meaning to the spatiality and theatricality of the scene. The insinuated and suggested takes shape in dissimilar textures and volumes evoking man's own internal and external nature.

The work is an exploration of the power of color and texture to evoke an emotional or visceral response from the viewer. The process starts backwards, as I begin with a background and allow the image to emerge from it: almost like carving a sculpture out of stone.
Unlike when I restarted, I no longer seek to erase the vestiges of the process, so the finished pieces contain the layers of the process of continuously simplifying and refining the work. In the end, only the essential elements are left that connect the viewer to the work, or at least, that is my goal.

My favorite subject is human communication with the nature sur-rounding it, and with mythical approach derived from Iranian pain-ting. There has always been a relationship between man and nature, mixed with myths. The relation to the height of the history of humanity, sometimes come from Eden and sometimes it is born of fire.

...at that moment I simply drew the model in front of me and that's how I saw it and enjoyed drawing it. Poetry attributes meanings to colours. I unconsciously use colours and threads. Red and yellow are happy and lively colours that symbolize pleasure and life. The reproduction of the earth is represented in brown, yet black lines yield shape and movement to reach the climax. Everything harmonizes together.

"In these works, where converge images with distinctive clown characteristics and representational objects such as balls or others, I seek to present a sociopolitical critique, using symbolic elements and encrypted codes to stimulate the viewer's reflection."

Alternating between gestural spontaneity and sometimes planned conception, thus breaking with the intention of representing something purely specific, I represent my emotions, mood, light, atmosphere and nature. I try to maintain a predilection for abstract art, I use mixed techniques, with acrylic predominating in my latest works, often adding extensive textures, trying to highlight high contrasts, colors and subliminal shapes.

My thoughts, my ideas always symbolize the reality, society, nature emotion and another way it express science fiction travel experience memoir . All of my work express mortality morbidity. The reality of life such as pains love joy happiness , mature creation etc is the mainly formed in to my sculpture. My work’s gave us some messages about the highest education that which does not merely give us information but make our life in harmony with all existence.

I’m a young artist. My work, and mainly its content, is to paint expression, pain, fear, despair, depression... I want to create an impression and emotion in people. How to understand the psychological state. I put myself in every work and what kind of mental state I am in. Every day I did something to get closer to my dream of being an artist and creating, but it's not really a dream, it's my lifestyle. [...] Because for me, creating work is not about making and selling; it's something more. I want to leave a message for people to know that art, more than creating and selling, has the value of evoking some emotion in them, be it good or bad. The only thing that fulfils me is to actively create. I implemented the artistic vision to give purpose and meaning to art.