Each of my works questions the substantiality of our symbolic identity, seeking to extract new perspectives that remained hidden in its cracks. I’m interested in undermining the illusion of reality and language where they draw limits, barriers, boundaries to the human, imposing ultimate truths.

Inspired by his childhood memory of almost idealistic integration of utopian community in which he grew up. After the village demolished, and the community dispersed to another location, the artist began to sketch, paint, and study the remained fragment of houses. He explores the remains of ruined village searching for patterns of partially defined spaces, forms and order. The experience which he gained from the aftermath of once happy community intrigues him to ask what was the invisible force which design and maintain that urban Arcadian physical and mental environment? How is he affected by it?

My work becomes a product in which ideas, actions, and thoughts are circumscribed in a society where existential absurdity manifests itself as the first order, leading to a rational derangement that swarms in every corner.

I’m a young artist. My work, and mainly its content, is to paint expression, pain, fear, despair, depression... I want to create an impression and emotion in people. How to understand the psychological state. I put myself in every work and what kind of mental state I am in. Every day I did something to get closer to my dream of being an artist and creating, but it's not really a dream, it's my lifestyle. [...] Because for me, creating work is not about making and selling; it's something more. I want to leave a message for people to know that art, more than creating and selling, has the value of evoking some emotion in them, be it good or bad. The only thing that fulfils me is to actively create. I implemented the artistic vision to give purpose and meaning to art.

Everything I have created, both in painting and in performance, has been the result of a sincere externalization of sensations, feelings and ideas generated out of my own subjectivity. [...] What weighs in my visual realizations is what I foresee and feel, my experiences in the public scenery and in the body, my desires, and my passions.

A través de la composición, sus elementos y cromatismo particular interpreto una percepción del mundo circundante. Aunque a estos agrego componentes diversos menos convencionales con los cuales añado pigmentos y texturas a las piezas que se sobreponen a la suavidad del pincel y marcan mi estilo personal de tupida paleta.

The work is an exploration of the power of color and texture to evoke an emotional or visceral response from the viewer. The process starts backwards, as I begin with a background and allow the image to emerge from it: almost like carving a sculpture out of stone.
Unlike when I restarted, I no longer seek to erase the vestiges of the process, so the finished pieces contain the layers of the process of continuously simplifying and refining the work. In the end, only the essential elements are left that connect the viewer to the work, or at least, that is my goal.

I have always been drawn to drawing and painting. I remember as a child always painting, trying out colour combinations and looking at everything around me to reproduce it in my own way. Although I have specialised in abstract and contemporary art, I also like classical painting, even though it is a completely different style to what I do. In my paintings I like to experiment with different techniques and materials, to achieve the effect I want to show.

Miroslav, both in the two-dimensional and three-dimensional works, proposes a way of diseccionar the notion of the reality by means of components that send us to the spatial thing, the temporary thing, the daily thing. But it is in the painting where it seems to find its real desires. Each of his paintings goes through a process of searching from his experience for the outside of society, because the important thing in his works has always been his subject matter, regardless of the aesthetic-formal work. The pictorial work contributes a taste for the ancient and distant thing, a pleasure for the disorder in the imagination.

My thoughts, my ideas always symbolize the reality, society, nature emotion and another way it express science fiction travel experience memoir . All of my work express mortality morbidity. The reality of life such as pains love joy happiness , mature creation etc is the mainly formed in to my sculpture. My work’s gave us some messages about the highest education that which does not merely give us information but make our life in harmony with all existence.