Miroslav, both in the two-dimensional and three-dimensional works, proposes a way of diseccionar the notion of the reality by means of components that send us to the spatial thing, the temporary thing, the daily thing. But it is in the painting where it seems to find its real desires. Each of his paintings goes through a process of searching from his experience for the outside of society, because the important thing in his works has always been his subject matter, regardless of the aesthetic-formal work. The pictorial work contributes a taste for the ancient and distant thing, a pleasure for the disorder in the imagination.
